Adventures at Home and Abroad

I'm polishing my completed manuscript of A Certain Deceit so I can send it to editors and agents. I was incredibly fortunate at HNS-2017: I pitched to two editors and they both want to see it (one partial read and one full read). I've gone through a hard copy, looking for nits, correcting grammar, and identifying any holes/issues to correct. I've had two other people read parts as well. It has taken me almost a month--I wanted to be careful and precise, not gloss over things. I bled a lot of red ink all over my text, then went into Scrivener and made my revisions. I copied my updated text from Scrivener to MS Word, chapter by chapter, and scrolled through each document, so I could see Word's editing function. This feature is handy and points out things I might have missed. I thought I'd done everything carefully. Then, as I'm preparing to send out the partial request, I saw an error! A big one, in the scheme of things, because it was on the third page (...

Dad came for his annual visit last week (he left today). The man is 83 years old and he's a golf-a-holic. Which means that John and I get to follow him around our course, spritely at the beginning and dragging by the last round. This year was no different, despite his health issues. We played one 9 hole round and three 18 hole rounds in five days. That's a lot of golf...I feel like I'm overdoing it if I play 2-3 times a week. He's a perfect example of someone with a passion and a goal. Each morning, he set goals for his overall score, the holes he'd improve upon, mistakes he'd avoid.  It was admirable, since my goals usually involve survival, or not dropping out after nine holes. I played fairly well, better than last year, so I was happy. I know it makes him happy to see me playing well. John played even better, which, after twenty years of being tortured on the course by my father and brother, was the most satisfying of all.

One of the Saturday sessions at HNS-2017 resonated strongly with me. Susanna Kearsley spoke about "Twin-Stranded Storylines", a subject I needed to hear about, since I tend to enjoy books that employ this technique. And I thoroughly enjoy her novels. However, before I get to the guidance she offered, one thing she said made the entire room laugh, then go quiet, as each person processed her simple piece of wisdom. Susanna said that when you're researching a project, just tell people you're a writer. Don't hedge around why you're asking nosy questions, or trying to find weird details (my words) from someone. In her experience, that admission--I'm a writer--breaks the ice, and then people bend over backwards to help. She acknowledged those words are difficult to say (and I would add, even more difficult to process if you've never allowed yourself to believe it). Her presentation was professional, well-organized, and thoughtful. The advice she offered ...

I volunteered at HNS-2017, and wow was that a smart decision (LOL). I hesitated before clicking the button during the registration process. What if the time commitment took away from my experience? Conflicted with sessions I wanted to attend? Or was just a hassle? But I took the plunge and now, in retrospect, I'm so glad I did. None of those initial worries occurred. In fact, I think it added immensely to my overall experience, especially since it was my first time at HNS. I met people right away...really! Even if my interactions were brief, I enjoyed making contacts with writers. learning about their work, or commiserating with them. After the first afternoon, I spied friendly faces, sat with acquaintances at sessions, and learned from them, many of whom were more experienced than I am.  And, I enjoyed helping attendees register or find their way, which was gratifying. So, next time, I'll click that button again!

I attended a session at the HNS-2017 conference yesterday morning that taught me a valuable lesson. If you want to sell your book, there are a couple of things you absolutely should not do. The session was actually a Preconference Academy offering, a two-hour block devoted to Dynamic Pacing. It's a skill that's incredibly easy to recognize when you're reading, but often seems impossible to construct and maintain throughout any type of written document, from proposals, to marketing materials, to, yes, novels. The speakers were Irene Goodman, a "super agent" with decades of experience, and Selden Edwards, a novelist who got his book (The Little Book) published after thirty years. He's now working on his third book. I was actually quite interested in his personal story, how he managed to persevere for thirty years. And I was ready to buy his book. Until he opened his mouth, and wouldn't shut it. He seemed to believe that the session was all about him an...

I'm excited and intimidated to attend the HNS-2017 Conference in Portland. I've been working in my little office for so long on my novel, which I lovingly refer to as Elvira, even though it's titled A Certain Deceit, that I'm in my own little world. I know I need to climb out and be brave and begin to share my work with someone other than John (and Ellie). But a large gathering like this is waaaayyy outside my comfort zone. My initial impressions are that people are so friendly! (Not exactly like all those work conferences I attended, where colleagues pasted on their smiles and wanted to rip your throat out.) And while there are a lot of published authors, there are many, many more in my boat. We've been pecking away and it's become time to either put up or stay in our little dens forever. I'm looking forward to learning more about the publishing business. But even more, I want to figure out what more I need to do with my own work. I have scheduled a...

John Constable: Weymouth Bay I spent yesterday familiarizing myself with the set of acrylic paints I bought a few years ago. When I painted before, I used water-based oils. But I had challenges with them, mostly because of the drying time and my need to transport my canvases to and from class. I decided to try acrylics this time, because I liked the idea of being able to load layer-upon-layer of color, but not have to wait forever. (Yes, I have issues with immediate gratification.) My set has just a few colors, so I had to mix colors, and I love that part! I know I'll need to buy a few tubes, the ones that are so hard to get right (magenta and some of the purples). But I like the process of creating the colors. But my ability to render anything half-way decent is completely gone. Well, that's not quite fair. It just takes a lot of time and I have to change my mindset. I have to relearn which brushes to use, as well. But, that's part of the process. And after think...